Friday, 15 September 2017

The Bookends Theatre Group present 'After the End' by Dennis Kelly





“They were all in the pub when the explosion happened. Louise wakes up to find herself trapped with Mark, who has saved her life. Mark, who has always been prepared for the worst, has everything he thinks they will need to survive; tinned chilli, Dungeons and Dragons and a knife – now all they need to do is to wait until it's safe to go outside. Can they survive the attack? Can they survive each other?"


Written By Tony, Olivier and BAFTA Award winning writer Dennis Kelly, After the End was a play Director Grant Campbell was keen to tackle from first seeing it 6 years ago at the Edinburgh Fringe. Admittedly, watching from an actor's point of view, initially he saw himself on stage but ultimately took the bold decision to make his directorial début with this gritty, dark and thought-provoking piece he'd fallen in love with. Having been involved with The Bookends Theatre Group for a number of years, Grant knew he had the support there to challenge not only himself but also the group's audiences with a play that he hopes will spark debate and conversation. "Written just after 9/11, the play feels like it has even more relevance to today's world. There is that global backdrop of East vs West but essentially it is played out in this microcosm between the two characters."



Actors Eilish Brand and Craig Carter were an obvious choice for Grant to play the two characters, Louise and Mark. Having worked with both on various other productions he knew they were up to the task, allowing him to shift his focus on to the unknown territory of directing. "What has been the most enjoyable and yet the most challenging thing thus far has been taking on this play as a director and not as an actor-although it's helpful to have that perspective. I had such a clear idea of how I thought I wanted to do things before we started rehearsals but I've learned that it has to be about incorporating the actors' ideas as well as your own. Sometimes they'll suggest something that I hadn't even thought of and I love that team effort aspect".



The risk factor in producing After the End comes in the form of the adult themes and content throughout. Keen not to shy away from the physical element, for Grant it's about balancing raw, realistic and striking imagery with the no holds barred text. "There's a distinct turning point in the play where things quickly descend to what you think is the low point, only then to go further. I want to push the boundaries but always with the intent to make things feel visceral but not crude or shocking for shocking's sake" 
Where we see two characters forced in to scenario fraught with tension, the intensity of the classic power struggle is increased ten-fold, leading to exploration of themes of exploitation and retaliation. 

Whilst the audience are being pulled out of their comfort zone, thus too are actors Eilish and Craig who have taken on the gargantuan task of performing a two-hander, where neither character leaves the stage. In addition, the meaty text and themes make navigating the rehearsal process an arduous task at times, Craig explains- 
"The latter scenes are so intense that it has been a challenge to shift from rehearsing those, to some of the lighter content. It's about getting back in to or out of differing mindsets".  For Eilish tackling certain aspects of her character's journey has been an interesting process. "I was surprised at the scenes I found most difficult. When Louise wields her power over Mark, that shift in the relationship is an interesting one to explore".



"This such an important piece of theatre. People can be guilty of surrounding themselves with those who think they same way as them and the play forces you to reconsider what you believe to be so. It about not shying away from the big topics-this is not a fluffy show by any means but we hope people come to challenge themselves."- Grant




You can catch After the End at..........


East Kilbride Arts Centre
Wednesday 27th-Friday 29th September 2017
8pm
£12/10

Tel Box Office:  01355261000



**Contains adult themes and content.

Sunday, 23 July 2017

Four Fringe Fancies


With a plethora of things to see and do throughout the month of August, the Edinburgh Fringe has something for everyone. Celebrating it's 70th year, this festival as ever will have you spoilt for choice with a variety of venues and locations offering top-notch entertainment for you to check out. For all those heading to the our fair capital city next month I thought it may be useful to point out a few shows that may tickle your fancy! 








WHO? Katie MacFarlane (traditional music)

WHAT? Katie is a Gaelic and Scots singer from Airdrie who is greatly influenced by her connections to North Uist in the Outer Hebrides. She has had a passion for Gaelic and Scots song all her life and has been a semi-finalist in both BBC Radio Scotland's Young Traditional Musician and BBC Radio 2's Young Folk Award competitions. Accompanied by Chris Gray on piano, Katie's performance ranges from folk and traditional to self-penned songs.

WHEN? 25th of August, 10pm

WHERE? Acoustic Music Centre, Ukrainian Community Centre, 14 Royal Terrace, Edinburgh, EH7 5AB

WHAT'S THAT YOU SAY? 

"I love the vibrancy and variety of the Fringe and am so looking forward to bringing to the festival my own interpretations of songs that I enjoy singing along with the soulful piano playing of Chris Gray"- Katie

WHAT ELSE? Katie's Facebook page - https://www.facebook.com/katiemacfarlanemusic/







WHO? Bubbles & Martini (music)

WHAT? Featuring Dean Martin hosting one of his many shows introducing his duet partner for the evening, Michael Buble – a man he’s obviously never met before. These Kings of Swing are separated by time, but now with the magic of this theatre show they are brought together in concert.


Performing all the hits from the era of music that's never going to be forgotten along with a few from Bubles present time!

WHEN?
21st-26th August 19:05pm-19:55pm

WHERE? Venue 53, theSpace, Theatre 2, Surgeons’ Hall, Nicolson Street, Edinburgh, EH8 9DW

WHAT'S THAT YOU SAY? 

"My nan taught me to sing and appreciate this era of music. My aim is to celebrate that music and entertain people the same way I used to entertain her"- Jamie aka Michael Buble

WHAT NOW?
Buy tickets from https://tickets.edfringe.com/whats-on/bubbles-and-martini

WHAT ELSE? 
Twitter page: @BubblesnMartini
Website: http://www.bubblesandmartini.com




WHAT? Jay has been called many things in her life, not all of them have been complimentary and only some of them have been true. Whatever she may be - she's certainly a wee besom - but who said that had to be a bad thing? Fed up trying to conform to society’s endless labels, Jay’s decided to turn her back on the anxiety of expectation and frolic in the fun of failure. This is a show for anyone who has spent too long worrying about what everyone else thinks! A hilarious and uplifting hour that doesn't need your approval! (yes it does…..please come.)

WHEN? 2nd -28th August (Not 14th), 8.30pm

WHERE? Gilded Balloon at Rose Theatre, 204 Rose Street, Edinburgh, EH2 4AZ. 

WHAT'S THAT YOU SAY? 

"Cuddly one sec, cruel the next, this comic will have you open-mouthed in amazement" - The List
Box Office: www.edfringe.com 

Twitter: @jayjaylaffs 





WHO? Spilt Milk presents Adulting (theatre)

WHAT? “Adulting (verb): To adult. To do something one would expect an adult to do. To behave in the way one would expect you to when you are an adult. Twenty-five. Quarter of a century years old. I am happily engaged, have a down payment on a two-bed and a glamorous job that takes me from country to country. Oh and I have one pet. Aged ten, this is how I saw my future. In reality, I live at home and have yet to find my soulmate. I attempt to bake. I often date. And I sometimes frequent DIY stores. All before another glass of wine. These are the little ways I try to feel like an adult. I know there are pros and cons to being this age, I just haven’t found out what the pros are yet.” Tony’s quarter life crisis included bleaching his hair then shaving his head circa Britney 2007; Grant rescued all his old toys and gave them refuge in his room to prevent Toy Story 3 from happening for real; Jacqueline wanted to join a band, buy a Vespa and move to New Orleans whilst Catherine watched Clueless every day for a month...Spilt Milk juxtapose their ten-year old selves viewpoint with the sometimes depressing reality of what being twenty-five actually involves, in a funny and irreverent exploration of ‘adult’ life.


WHEN? 4-26th August 2017 excluding Sundays. (4-12th 12.55pm, 14-19th 10am and 21-26th 9.10pm) Week 1 and 3 £9 (£7.00) & Week 2 £7.50 (£5.00)

WHERE? Space Triplex, The Prince Philip Building, 19 Hill Place, Edinburgh, EH8 9DP 


WHAT'S THAT YOU SAY? 


"Following on from it's sold out run at the Tron Theatre last year, Spilt Milk's "Adulting" will mark the company's Fringe debut. The show follows all the pleasures and pitfalls of the quarter-life crisis. Interactive elements resonate with a varied audience because at the end of the day we all are, have been or will be adults...sometimes!"


WHAT NOW? 


WHAT ELSE? 
Website: http://spiltmilktheatre.co.uk/ 
Instagram: https://www.instagram.com/spiltmilktheatre/ Facebook: https://www.facebook.com/SpiltMilkGLA/ 
Twitter: https://twitter.com/spiltmilk_gla






Tuesday, 11 July 2017

The Braw and The Brave Meets....Roma Elizabeth Photography





You know when you meet a person for the first time and you instantly know you're going to really like them?! I first met Roma when she hired my dance troupe to perform at a surprise party she'd organised for husband's 30th birthday. She was delightfully warm and welcoming that evening  and so when I plucked up the courage to contact her about being interviewed for the blog, (I always feel weird about asking someone who doesn't really know me), I was thrilled she kindly agreed!  

Roma's photography is the stuff of dreams, capturing breathtakingly beautiful imagery in the most stunning (and at times, remote) locations with the emphasis on the 'adventurous and romantic'.When it comes to weddings and babies, Roma looks to paint the day perfectly, documenting every special moment and paying close attention to detail. With her styled shoots, it's all about producing exquisite, striking, fairytale-like shots. Roma's portfolio is a work of art, finding you spoilt for choice to pick a favourite image. From ethereal beauties draped in lace featured in the likes of Vogue Italia, to the most magical moments such as a Groom catching that first a glimpse of his Bride documented beautifully. Each photograph entices you in and has you intrigued and bowled over by sheer perfection. 

Featured in Vogue Italia


 Roma's journey from studying a fashion degree to modelling, working in the Bridal industry and to where she is now as a freelance photographer is fascinating.  Starting out as a young model in her teens, Roma admits that she never quite felt at home in from of the camera. "I didn't enjoy modelling. I was so self conscious but I did love being on location, working in some amazing spaces". Befriending photographers along the way and becoming more interested in the behind-the-scenes element of fashion photography, her transition to working within the Bridal industry with Opus Couture saw her start to style and photograph shoots for the wedding dress company. "I just really enjoyed it. I think anything you do you should do it for the love of it and not money!" Initially a hobby, soon Roma's distinct photography style attracted some attention and she was approached by a make-up artist to photograph her wedding before she had even set a date. With much encouragement from her colleagues and her husband Scott, Roma began to set up styled shoots to create a portfolio of work, inspired by places she had visited and adored. As daunting as it seemed, Roma pushed herself to put her work out there. Starting out as a freelance artist in a potentially competitive industry was scarily reminiscent of her time spent as a model. "I've always remembered that feeling of being in a room full of people and not knowing anyone. I now always make an effort to go up to people on their own at photography events and take them under my wing". 








Roma is extremely passionate about her work and being a real people person, she thrives on getting to know her clients prior to their wedding day to ensure she can capture the essence of who they are as a couple through her photography. As enjoyable as this work is, Roma's heart lies with her styled shoots where she has complete creative control and can let her imagination run free. "I sometimes have to explain to Brides who have seen my more adventurous shoots that it isn't practical to have them knee-deep in pond water surrounded by fireflies on their wedding day".  Inspired by old fairy-tales (and the occasional nod to Disney too) she aims to conjure up the fantastical. "I like creating things that don't exist. When I see something in my head I just need to make it happen!". Known to be up a mountain in the snow with a model and a sledge full of accessories, it's all about bringing the dream to life with her inquisitive nature at play and her adventurous side at the helm. Getting 'that' shot can be, at times, on the dangerous side and for the more extreme locations, Roma is happy to step in front of the camera momentarily to bring the vision to life. With her good friends Cara and Katie always in tow to assist with make-up, hair and the logistics of photographing in all weathers on all matter of terrain, Roma teams up with a variety of suppliers and new models, considering herself very lucky to be supported by so many. Her photography is so well known and respected now that suppliers and fellow Creatives are ever so keen to have her photograph their pieces.




 She admires the work of renowned photographers Annie Leibovitz and Tim Walker but ultimately has a personal style which she stays true to. It's one thing to create something but it is then another to put it out in to the world for others to judge but as Roma explains it's not always our counterparts' opinions we should fear. "I'm really critical of my work. I'm just so passionate about photography but I've learned not to compare my work to anyone else's. It's about just doing your own thing". 









Road blocks are inevitable when working creatively and although Roma rarely struggles to come up with new ideas, it can be the logistical side of photography that proves the most challenging. "My first wedding shoot I arrived early only to discover the church all chained up. A very sweaty 15 minute car ride ensued once I tracked down the correct postcode for the actual venue!". Learning from experience is par of the course and it's something Roma is happy to embrace. The uncertainty of self-employment can be difficult to manage mentally but her positivity pushes through. "You just have to keep going and believe that it will all be okay!"Working solo can be a lonely existence at times and no one knows this more than a photographer welded to their computer screen in the middle of an editing spree. It has always been important to Roma to surround herself with like-minded people and she has found solace in a close-knit group of female photographer friends who all have each others back when it comes to supporting and promoting their work. "When I had just given birth to my daughter Robyn, one of the girls stepped in last minute to cover a wedding I was booked to do. We all help and encourage each other, sharing hints and tips. We also go on shoot trips together...the last one being in Paris". 





To say Roma likes to be busy would be a bit of an understatement. In a juggling act of being a new mum, a wife and a photographer (and up until recently, also holding down a full-time job), it's a role she is most comfortable undertaking. Keen to add more strings to her bow, she is now considering studying for a Masters degree. "I've always seen my photography as something I'll do alongside something else. I never would have imagined 5 or 6 years ago that this would turn in to a career! Ultimately I just want to keep going-ideally I'd like more time to do style shoots and travel more". Her get up and go attitude is what drives her to continue to work furiously and seek out the next adventure, quite often with baby alongside her. A trip to Thailand, when Robyn was only 5 months old, to photograph her brother's wedding on the beach was tackled with the same vigour as she approaches everything she endeavours to make possible. Embracing opportunities has led her to what she considers the finer things in life.  "My photography has allowed me to meet fun, fantastic people and visit new places". It's evident that whatever Roma decides to do next in her photography work you can be assured it will be executed with passion and a sense of escapism and celebration for all that is naturally beautiful. Best to follow her...she is bound to take you on the most magical of journeys. 

Roma and Robyn in Thailand





Get to know Roma more.....



First ever album you bought?
"The Craft soundtrack"


Who would you like to be stuck in a lift with?
"My husband-he's my best friend! We'd just chat away!"


If you could give your teenage self some advice what would it be?
"Dress better and study more! I had this idea if it was meant to be I'd pass!"


Pet peeve?
"People who kick pigeons! I also don't like negativity and jealously"





Contact Roma








All images owned by Roma Elizabeth Photography 

Thursday, 8 June 2017

The Braw and The Brave Meet..... Greg Robertson




Greg Robertson has always been a bit of a song and dance man. From the tender age of 4 he was pestering his mum to allow him attend dance classes with the girls she child-minded and tagging along to the local amateur dramatics club to watch her tread the boards. He caught the performance bug early on starring in many a school show as a teenager growing up in Cumbernauld. Seizing any opportunity to perform Greg, over the years, has been involved with a variety projects and in 2014 was delighted to dance at the Commonwealth Games Opening ceremony in Glasgow. "I loved the large-scale formation work. We rehearsed on a football pitch which was all marked out. That kind of choreography work fascinates me".


 He soon became a triple threat enjoying singing and acting as well as dance, joining a local am-dram club and it was there he found his passion for choreography. "When I was with the Apollo Players I remember watching John Carlyle choreographing a number and I was amazed"Whilst studying a Community Arts Degree, Greg started singing with a community choir in Glasgow, Musichoir Scotland and eventually took on the role of choreographer for both their Glasgow and Ayrshire branches. 6 years on Greg continues to work with Choir Master Neil Thomson to create full-scale, lively productions. "At first I wondered just how much I'd be able to achieve working with non-dancers but over time I have become a lot more confident in my abilities to get the best from them. They are always so grateful for your support!"


Musichoir Scotland





As a freelance artist, Greg has had to create his own opportunities approaching amateur clubs to work on their productions. Teaming up with Runway Theatre Company in 2015 for the show Evita,  Greg admit"They took a chance on me as I'd never choreographed a full-scale musical before!". But it was a chance worth taking and having just produced a show-stopping dance extravaganza  with their sell-out run of Priscilla Queen of the Desert, it's a certainty the club won't be looking back on their decision to hire him. Not one to do things by half, he also stepped back in to limelight and in to the (sky-scraper high) shoes of one of show's leads and with 25 musical numbers to choreograph it was no mean feat juggling the two tasks in hand. "On opening night I actually felt sick. The show had had so much buzz surrounding it, I just wanted it to go well". And indeed it did, with standing ovations and rave reviews cementing that they had produced something quite spectacular. With energetic, fun-filled performances, Greg's choreography brought each number to life with verve and vigour. 

Runway Theatre Company's Priscilla Queen of the Dessert, 2017



The creative process for Greg starts with the music, continually listening to a song whilst commuting helps to get a basic outline of the number in his head, adding the detail latterly. Picturing formations, changes of level and the ebb and flow of a piece initially helps to shape a blueprint version of the choreography without having to delve into the intricacies from the get-go. He draws his inspiration from the music and his performance background and although he respects how others may have preciously produced a number, he feels it important to not be too influenced by what has come before. "With some numbers in certain shows, there are those movements or moments where you'd be doing it a disservice if you didn't reference something that is seen as iconic but mostly I prefer to do my own version".  Like any good practitioner he is ever-prepared but leaves enough wiggle room within his work to allow the rehearsal room the freedom to breed it's own steps. When a creative blockage arises it can be a real stumbling block when you're working to a deadline. Rather than risk producing something that doesn't feel right Greg explains, "When I think "Right, I need to get this choreographed today" and then nothing seems to come to mind, in those scenarios I find it's best to step away from it momentarily and come back to it at a later time".




In the Heights 

Working with his performers Greg is able to also draw ideas from how they move and interact. Playing to everyone's strengths is a vital part of directing amateur performers of all ages and abilities and it's Greg job to produce choreography, however simplistic or intricate, that everyone involved can achieve and bring to life on stage confidently. Your teaching style and the support and encouragement you give is what can make or break the final product. "When I first stepped off-stage to choreograph a show, I wondered if I'd get the same buzz as I did performing.....it was actually better! I sat in the audience on the opening night balling my eyes out. I was so proud"Over the last year or so he has worked on a a number of musicals, including In The Heights with Glasgow Music TheatreThe Addams Family with Eastwood Entertainers.
























The freelance life can sometimes be a solo venture, so getting the chance to team up with other creatives wherever possible is so rewarding. Both Greg and I had the pleasure of co-choreographing Theatre Royal Glasgow's Stage Experience production of The Wizard of Oz last summer and personally, working with Greg was a real highlight of what was a wonderful (crazy busy!) two weeks. Being open to collaborating with and learning from others is something that all creatives should embrace. Greg has worked with directors, musicians, other choreographers like myself and has appreciated every opportunity he has been given thus far to grow as an artist. 

"I'm the first person to congratulate another choreographer when I've enjoyed their work. I'll also happily recommend someone else for a job I can't take on".  There are always new lessons to be learned along the way and with experience comes the confidence to go with your instincts and believe in your strengths as a creative. "If I had any advice when creating something from scratch, it would be to trust yourself. When something feels like it may not work, try to stick with it and see what the outcome is". Greg endeavours to be supportive and encouraging to fellow performers and colleagues. With every project he undertakes he faces it with great enthusiasm and a drive to produce the best work he can. He has a passion for musical theatre and it's one he enjoys sharing with others. "You just have to enjoy it and always remember you're really lucky to be doing something you love". 






First single you ever bought?
Britney Spears' 'Hit Me Baby'. I had posters of her all over my room"


If you could have an unlimited amount of something, what would it be?
"Time to go see more shows. It's so hard finding the time to go and support other amateur productions" 


Most commonly used word?
My girlfriend says I say 'Okay' a lot. She says I use it at the start of sentences even when it doesn't make any sense!"


Hidden talent?
"I can play the trombone!" 


Favourite musical?
"That's a difficult one....it changes all the time. I love WICKED! But if I had the chance I'd love to choreograph Chicago"





Keep up with Greg via his Facebook page!!

https://www.facebook.com/GregRobertsonChoreography/