Showing posts with label royal conservatoire. Show all posts
Showing posts with label royal conservatoire. Show all posts

Monday, 24 April 2017

The Braw and The Brave Meet.....Lawrence Crawford




Since starting this blog last year, Lawrence Crawford has been on my interviewee wish list. Despite working alongside each other on the same project for a number of years now, sat in many an-all day meeting together, I had never had the opportunity to actually sit down with him to discuss his work as an actor, director, playwright and filmmaker....until now that is.  


Coming through the ranks of youth theatre, Lawrence remembers a sense of not fitting in at secondary school and it was going to study a BA in Drama Studies at the tender age of 17 at Glasgow's RSAMD (now The Royal Conservatoire of Scotland) where he finally felt at home."It was somewhere I could do silly voices, be myself and no one would comment on it". After graduating, he threw himself into acting, constantly commuting back and forth to London for auditions. In 1995 he was cast as a young officer in Bill Bryden's production Big Picnic about young Glaswegian soldiers in WW1. Starring well-known Scottish acting talent such as Jimmy Logan and Dave Anderson, Lawrence recalls the experience with real sentiment, with the attention to detail seeing him trained by an ex-army officer and the grandiose scale of the production being so fondly etched in his memory. However it was the bond formed with his fellow performers and his time spent with Jimmy Logan that made a lasting impression. "One thing he taught me was to let a laugh breathe. He knew about timing. You need to read your audience".The cast held a 20th anniversary reunion in 2015 which was tinged with some sadness at the loss of some their fellow cast members over the years. It is clear his time spent on this particular production has made a lasting impression and he is immensely proud to have been a part of such a large scale, prominent piece of Scottish theatre. 






Despite his success as an actor, which included appearing in the film Bent starring none other than Mick Jagger,  Lawrence found it increasingly frustrating at being typecast as the stereotypical Scottish junkie, young thug, alcoholic or car thief. "As actor you don't have a lot of power. You're reading someone else's lines. You're being told where to stand and what to do by the Director. There is a degree of creativity but you don't really have the power to change things".  It was then Lawrence decided to start making his own work and returned to his studies, this time at RADA in London. An intensive year of studying and working full-time to pay for his bed-sit saw him complete a masters degree in Theatre Text and Performance. Writing and directing, soaking up the London life and culture, after five years in the 'Big Smoke' Lawrence finally decided it was time to return home. Scottish theatre had gone through some significant changes in the time he had been away and he was now keen to get involved in the thriving scene. 




Directing plays for the likes of National Theatre of Scotland, leading adult theatre groups for South Lanarkshire Leisure and Culture, The Arches and Falkirk Youth Theatre, Lawrence over the years has worked with a variety of organisations producing and facilitating. He enjoys devising new pieces with his actors, as well as creating theatre that delves into themes that interest him personally. "When I'm writing I try to imagine someone actually saying the words. I try not to be too precious, so when you hear it read aloud in rehearsals there's room to change things". Inspired by the works of Ken Loach, Mike Leigh and Iain Heggie, Lawrence likes to give some ownership back to the actors but also include his audiences. His 2010 play COMA forced the audience to play the role of the doctor who decided the fate of an unconscious patient on life support. "It's about finding the balance of getting them involved but not to the point where they find that off-putting".


COMA by Lawrence Crawford


In more recent years, love for his homeland and a fascination with some of his Scottish heroes has encouraged Lawrence to produce new work that sheds light on some untold stories. His play Connolly in 2016 about the 'Big Yin' turned back the clock to Billy Connolly's child hood and his life in the shipyard industry. Research is paramount when creating this kind of theatre and this is something Lawrence revels in. "When you find out something you did not know it's exciting to think how you will include it to inform your audience". Currently he is working on staging Alan Bissett's novel The Incredible Adventures of Adam Spark.  Set in Falkirk about Falkirk young people, Lawrence has made it his mission to breathe life in to the adapted for stage version of the novel which to date has never been performed. Tackling themes such as racism and homophobia, set during the Tony Blair/Iraq War years, Lawrence feels such issues are still ever-so current and important for youth theatre to take on . "Alan attended our first read through with the cast. He'd never heard young people read it aloud before. The very people who he'd written it for". 


Connolly by Lawrence Crawford



In storytelling Lawrence recognises the weight of responsibility that also comes with his work. As a filmmaker he recently had the opportunity to give a voice to those who at one time were silenced by their circumstances. His film The Kids Aren't Alright tells the harrowing stories of four young girls from Ayrshire who have lived through parental substance abuse. Involving the young people in every aspect of the creative process was critical as Lawrence was adamant that they were comfortable with any decisions made. "In capturing their stories I knew I had to start with a blank page. It had to be told by them". From holding auditions to editing, the young people were given the chance to contribute at every stage, giving them some ownership over a situation they previously had no control over. A screening was held in January of this year and the film has been greatly received. Tackling such a difficult subject matter was a challenge but one which Lawrence was very keen to undertake, in a bid to encourage other young people suffering in silence to speak out. Plans to share it with youth groups and schools across the country are underway and there is hope that it's message of hope will resonate and reassure young people in similar circumstances. 


The Kids Aren't Alright by Lawrence Crawford



Working as a freelance artist Lawrence finds it imperative to constantly challenge oneself in order to make work that is both fulfilling and inspiring. "It's about putting yourself out of your comfort zone. Giving something of yourself when you're asking others to do so".Collaborating with songwriters and choreographers allows him to not only bring his vision to life but to also see how things look from another creative's perspective and to continually reevaluate his decisions. With experience comes confidence but Lawrence isn't one to rest on his laurels. Having several strings to his creative bow and always looking to challenge himself, his most recent project, making a film about his father's battle with Dementia, may be his hardest but most rewarding endeavour yet. "I feel it's helping me to deal with the situation". Never one to pigeonhole himself, Lawrence believes that as an artist your journey is more important than the destination. "Don't give up, keep on setting yourself goals and don't compare yourself to others" are his mantras and they are clearly serving him well. Famed for his distinctive, very dapper sense of style Lawrence is keen to put himself out there in the hope that others will feel more at ease in expressing themselves through drama. "If wearing a silly shirt breaks the ice, I'm more than happy to get teased". 









First single you ever bought?
"We are Glass by Gary Numan. It was a 7" single from Woolworth's. I used to buy one every week and I still have them!"


Favourite film?
"One Flew Over the Cuckoos Nest. I have a theory that actors are at their best when they're still hungry and for me, that was a role Jack Nicholson was born to play. He was an unknown and at an age where most actors have given up. The actors had spent time in mental institutions to prepare for the film and I think you see that"


Biggest pet peeve?
"Ignorance. Any kind of isms. I hate to see videos of terrible things happening on public transport with people standing by and not intervening. You have to question why we live in a society where we're happy to stand by and film these sorts of things"


I'm happiest when....
"When I'm around people I love"


Best invention?
"Electronic music. I used to be a DJ and I'd have to carry my entire record collection to gigs. Now you can store 1000s of albums on a laptop!"


Favourite song lyric?
"John Lennon "a working class hero is something to be". If the common man likes you, you're doing alright.I guess it's because something else that I'm passionate about is that the arts should be accessible to all."

















Sunday, 19 February 2017

The Braw and The Brave Meet.....ERISKA







ERISKA are a Glasgow-based folk band making waves in the traditional music scene in Scotland. Fresh from their recent debut at Celtic Connections, the band are going from strength to strength despite only forming in early 2016. Accordion player Aileen Sweeney explains that although initially it was difficult to pin down permanent members, the now six-strong line-up all agree that the fit feels just right. "Many bands are formed from friendship groups and I'll admit I was a bit worried at first that we wouldn't gel, as we didn't all know each other but I think it's actually been better that way. We've become friends but essentially we are all there to make the band a success". With musicians originating from as far flung as Argentina and the USA and with backgrounds in varying musical disciplines, ERISKA are an eclectic clan, keen to combine their interests in all styles of music to create a new sound. With their current repertoire a 50/50 mix of original work and their own take on traditional tunes, the objective is always to give every number the ERISKA stamp. "We work pretty hard to the get variations within the traditional arrangements spot on.  It can take time to get the right balance but it's worth it in the end"- Aileen. Fuelled by their passion for music and a drive to see the band flourish, creative blocks or droughts haven't plagued them to date, although having too many ideas can be a challenge at times."It's going through a full rehearsal and realising we haven't produced anything new. However in that time we've ruled out what we definitely don't want and it's about being okay with that!"-Scott. Recalling a six-hour rehearsal where they tried every combination of chords imaginable to only arrive back at the original arrangement they started with demonstrates they adore every inch of the meticulous decision making that goes into concocting an ERISKA track. It's nothing short of masterful.   





Establishing everyone's particular role in the band seems to have been the key to their success thus far. Fiddle player Madeline Stewart is seen as 'gaffer of the tunes', writing many of the melodies that kick start the band's creative process. Drummer Gavin Paterson, with his own recording studio, is known for his attention to detail when it comes to laying down tracks. Bassist Julian Pombo and guitarist  Dario Palazzo both attend the Jazz and Popular music courses respectively at Glasgow's Royal Conservatoire and equally bring their own style of playing and composing to the table. Aileen is the self-confessed nagger of the group who ensures everyone is where they need to be. Last to join was Piper Scott Figgins, whose commitment to the cause from the outset seriously impressed the others, proving he was the missing jigsaw piece they needed. "A month before the Danny Kyle Open Stage gig at Celtic Connections, Aileen sent me all the tracks and I constantly had them on repeat until I'd learned the entire set list for my first rehearsal with the band"-Scott. Growing up in Pipe bands, Scott was keen to now delve in to more contemporary genres, enjoying a challenge and the chance to play alongside like-minded musicians. "We each have our own musical interests and influences and in turn, have our own style of playing which helps to create a unique sound"-Scott. Almost without a Piper for their first live performance, the band were also nameless for quite sometime. Concentrating more on producing music, they were forced to select a name for their debut gig. "We wanted something Scottish sounding but nothing too twee. It also couldn't be so obscure that people would struggle to pronounce it . I just went on Goggle maps, scrolled about and came across a wee tiny island off the coast of Oban called Eriska and that was it"-Aileen. 

Prior to being chosen to perform at the festival, ERISKA's music had only been accessible via Soundcloud and so the prospect of a live audience was exciting. "It was great to experience playing our music to an audience. We also had the added pressure of being featured on TV and radio stations but it went down really well"-Aileen. Following on from the success of that particular performance, the band were invited to feature on STV's Live at Five programme and now, they've got the performing bug, working on extending their repertoire and keen to get playing more live gigs. Planning to host their own band night inviting other groups to perform, they hope to grow their fan base and get their music heard. "My family are the first to like anything we put on Facebook. I can't wait until someone we don't know likes our posts!"-Aileen.

The passion for music, the belief in the band and the sheer enjoyment they get from working together is evident. The lengthy recording process, the leg-work of finding gigs, time-management with their other commitments in the mix and everything else that comes with a managing a band and producing music doesn't scare but excites them. A somewhat unconventional start, with lead guitarist Dario recording all his parts before ever meeting the other band members and the last minute introduction of Scott to the line-up is all part of their story and a testament of their commitment to making it work. ERISKA are a perfect blend of traditional and contemporary; business and pleasure. Fuelled by the fun, driven by the artistry. Inspired by the old, ignited by the new and innovative. 
Get listening to their music, start following them on their journey as I suspect big things are on the horizon for ERSIKA! 




First album you bought?
Scott- "The Black Eyed Peas 'Elephunk'" 

Aileen- "It was an album with Steps and S Club 7 on it. I thought I was so cool walking around the house with my portable cassette player" 


Where's your happy place?
Scott- "I have two-on stage playing bangin' tunes to a large crowd but then equally I love the tranquillity of the golf course!"

Aileen-"I love the RCS Cafe. There's always someone you can chat to!"


Ultimate dinner party guest?
Scott- "Darcey Bussell"

Aileen- "My gran. Her craic was brilliant! She could talk all day about nothing!"


Biggest pet peeve?
Scott- "Untidiness! It's my OCD! My girlfriend leaves her breakfast dishes in the sink, her clothes on the floor as she knows I'll be right behind her cleaning it all up"

Aileen- "I have multiple. Disorganised people and people that read your messages and don't reply. I'm just super organised!"


Last song that was stuck in your head?
Aileen- "Deacon Blue's 'Dignity'. I was playing it in another band and kept having to go over and over this one bit!"

Scott-"The chorus of Taylor Swift's 'Trouble'-all because of that screaming goat video online!"




Sunday, 17 July 2016

The Braw and The Brave Meet.....Kirsty McCabe





Kirsty McCabe is a Freelance Theatre, Set and Costume Designer based in Glasgow. A Royal Conservatoire graduate (formerly RSAMD), Kirsty has sculpted a very exciting, successful career for herself. Her mantra is "work hard and be nice to people" and she's living proof that this is sound advice for any budding designer, having worked with the likes of Tron Theatre, Scottish Opera, National Theatre of Scotland and Scottish Youth Theatre on a variety of productions and projects. She designs and creates the most stunning sets and costumes and I personally adore her work....hence this interview! 

"To me education is a leading out of what is already there in the pupil's soul" (Muriel Spark, The Prime of Miss Jean Brodie) 

 Body-swerving her dad's suggestion to become a dentist, Kirsty quite vividly remembers the moment she realised what she wanted to do. "I went to see 'The Prime of Miss Jean Brodie' and I completely fell in love with it. I thought it was fantastic and the set was beautiful. I thought I could do that, it just clicked" . However her love affair with creating spaces didn't begin there. Much younger, at aged 8 she could be found, way past bed-time, rifling through Argos catalogues "designing plan views of homes and fitting in furniture to imaginary rooms". All through school she hadn't always realised or considered that her obsession with creating places and could be a career option. Deliberating over an Art School route vs a more practical Theatre production course in her final year at secondary school, it was a battle won by the latter, as Kirsty wanted to be around people and the initial idea of studying sculpture seemed potentially a rather solitary existence. Surrounding herself with like-minded people has been what Kirsty attributes to the success she's enjoyed thus far. Her studies introduced her to the world she was so keen to be a part of and she found herself, straight out of university, working at the Tron Theatre on her first design job. It's evident that Kirsty was meant to pursue a career in design. She'd been blissfully unknowingly preparing for it from a young age & her pockets full of stones & acorns were just the start of something beautiful.


A Present State. Photo by John Johnstone  johnjohnstonphotography.co.uk


'Here are a few of my favourite things....'

 Having worked with Kirsty on a few productions recently, I was interested to find out what exactly her creative process looks like from the get-go. As a Choreographer, I have came in to the equation in the later stages of the project where her vision and it's execution is already in full swing and so I haven't been privy to her work from the outset. Although each project will have it's own specific research and 'mood boards' of ideas to work from, Kirsty is on a constant collecting and creative adventure, looking at the world around her for inspiration. Taking photos, mental snapshots and picking up little treasures where ever she goes that she can keep and use as and when she needs them, it's something she's been doing all her life.  "When I was a child, I thought your 'collection' at Sunday School was your collection of things that you would show people, like everything in my pockets....". She works best in her studio, surrounded by her 'collection', sorting and sifting through everything she's gathered as inspiration, with a deadline but leaving things to the last minute. Personally, I can be the same with my work and can often be found apologising for the fact, when, as Kirsty says quite rightly, if that's what works for you, you shouldn't see that as a negative. If there's a hint of pressure that is often what can help you pick out the most attractive, best-fitting options from the jumble-sale of the ideas in your mind. They are all there, you just don't make your selection until you really have to. Kirsty calls this the moment when she feels like she's 'cracked it'. She knows what the language is and developing it now seems possible. Kirsty creates rules or parameters for herself, whether that be a distinct colour palette or certain materials used as a starting place and says it's all about finding the 'right' rules for the piece.

"If I can find that visual language...know the rules of the world I'm making then, it means that as things change, it's still what I want". Kirsty explains that her style is ever-changing with each project she works on but there are things she'll find herself going back to time and time again. Her love of a good pom-pom (who doesn't love a pom-pom?!) has meant she's been known to endure a repetitive strain injury to bring her vision to life. Talking to Kirsty, you can see she thrives on the creative process and is thorough in her practise to ensure the language she's created is clear throughout the entire design.

Snow Pals, Tron Theatre, Photo by John Johnstone  johnjohnstonphotography.co.uk


Navigating through the Dragon's Den of Theatre Design 

 Aside from her own artistic style, as designer working with a team of other creatives, Kirsty has the (at times!) unenviable task of taking either a Director's very specific vision or trying to make sense of vague ideas as to how they see the performance and then shaping these with her own ideas to make it work. This is something she has mastered through experience.  Inevitably this is where self doubt can rear it's ugly head, when her suggestion for the look of a show needs to marry up with what the Director thought they wanted or be the missing jigsaw piece that she has been entrusted to find. Critiquing and doubting your own work is tough going at the best of times but handing it over for scrutiny in it's infancy? Now there's the rub. Her explanation of the initial production meeting where she presents her design to the Director and Technical team makes it all sound positively terrifying. "In that meeting there's no room for praise. If you're worried about it, you're not going to be consoled. That meeting is purely for my ideas to be picked apart, will it work?" Doubts or excitement for what she has planned aside, Kirsty explains that this, however painful, part of the process is essential and you just have to develop a thick skin to shield you from what feels negative to move forward. Consideration of cost, time and manpower required, it's all about finding a balance of what is feasible without compromising her vision."The team are finding all the negatives for you....You need to do that as you need it to work". Getting the team excited enough to want to make it all happen can also make things easier, especially when it involves them "flame-barring endless bales of hay in a paddling pool". Standing your ground on the must-haves, yet having alternative options on stand-by to pull out of your magician's hat when the final answer is no, is all part and parcel of Kirsty's role as designer. "It's a lot of diplomacy but it's satisfying once you get to the end and you've come through all of that and it still looks like what you wanted it to". 

 Preferring to be on board from the beginning of a project, she can then have a constant dialogue with a Director to construct something they both are happy with, that works best. Communication from the get-go makes for a smoother and more enjoyable creative experience. "As the years have gone on , the process is of making something has become more important for me".



 #GirlBoss


 When your passion becomes your work it's difficult to power down from it all but this is something that Kirsty happily accepts. "I used to go see loads of theatre as a way to switch off.....now I go to see shows and most of the time I'm thinking about how I would have done it". The exceptionally long hours also aren't a problem when you love what you do and Kirsty just embraces the opportunity. "It becomes a piece of who you are as you spend so much time doing it and thinking about it". Aware that some family members and friends may not always 'get' what she does, Kirsty admits that it's only been in recent times that she has realised that she is, in fact, a business woman. Being immersed in what you are doing can often blind sight you as to the path you are on and who you are as a Creator. Acknowledging that she is actually running her own business has changed how Kirsty now sees her work. She advises that as freelancer it is useful to at points to "take your own personality out of the equation and think about what you can offer, what skills you have and how much value there is in that". When your personality and your life's work are so closely entwined it's important to view them as two separate threads and so when promoting your work, you aren't promoting you - it's your product. That's not to say personality isn't important in the industry and remembering that your reputation proceeds you will often be a key to your success. Kirsty is a lovely person who gravitates towards and values that in others. "I don't hire people, even if they're ridiculously skilled, if they're not good to work with. I'd rather hire someone who I can get on with". 


Elf By Herself, Tron Theatre. Photo by John Johnstone  johnjohnstonphotography.co.uk



What About...?!?!


What’s on you iPod right now?
I just love 90's R&B! I'm loving the resurgence of Craig David..!

If you could have an unlimited amount of something, what would it be?
Extra Strong Mints - that's my complete go to.

 Favourite word?
Coorie! It's the nicest word!

Last book you read?
I'm reading Tennessee Williams' memoirs again at the moment.

Biggest pet peeve?
Rude people. There is just no need.

Favourite film?
Probably 'Clueless' right now!

Favourite smell?
Bread. All the bread!

What’s the best bargain you've ever got?
I got a brilliant leopard print pencil skirt for a £1 and I wore it endlessly.

Finish this sentence…. “I'm happiest when…..”
I'm in my bed....coorie in!

What’s the best invention ever?
Probably the coat-hanger..?

What advice would you give your teenage self? 
Chill out! Don't be so serious! 



@YouLuckyPanda. 

Kirsty is always willing and aiming to try new things and branch out. From teaching herself how to design her sets on Google Sketch Up to mentoring students, she's keen to constantly diversify. There's no big grand plan or one route she is following but there's sure to be many journeys and adventures as she doesn't pigeon hole herself or limit her imagination. With an abundance of skills and armed with enthusiasm, Kirsty is keen to learn, know and create more. Her social media handle may be @youluckypanda but it's purely hard graft, talent and passion that has got Kirsty to where she is today! She is mild mannered, always smiling and all about the PMA! She has time and interest for what you are doing and although passionate about what she does, isn't boastful. Her work is beyond beautiful and her drive, inspiring. I'm thrilled to have had the opportunity to meet and work alongside her in recent times and hope to continue to.  She deserves every success and I'm excited to see what she does next! 


Get involved!


Kirsty is teaching Set & Costume Design Classes which start in the Autumn at the Tron Theatre, Glasgow.
The term starts on the 6th of September and runs on Tuesday nights, 7pm-9pm, until the 29th of November. 
Open to any adults interested in theatre design-no previous knowledge or experience necessary! The term costs £110 (£100 concession) and includes all materials. 
Secure YOUR place by getting in touch with the Tron Box Office on 0141 552 4267 or to find out more, contact lisa.keenan@tron.co.uk 



Go follow Kirsty on Twitter @youluckypanda