The Braw and The Brave Meet....Jack Jarvis Gouther

Photo by Robert Pereira-Hind

Meet Jack Jarvis Gouther a 21 year old singer/songwriter from Cumbernauld who is carving out a career for himself in the music world. First and foremost, I feel it important to say that Jack is a really nice guy-it’s not very rock n roll, I know (sorry Jack!) but he is and spending time with him you get the vibe that, although he is undeniably driven and passionate about his music, he is not arrogant nor self-absorbed-he’s just a good person trying to do something he loves.  And that kinda thing goes a long way in my book!

Jack has had a real thirst for music from a young age, encouraged from the outset by his family to give it a go and it’s clear that the support given,   which he values dearly, is a real driving force. Being part of tight-knit family who have always been behind him has allowed Jack to develop and nurture a natural talent and passion for playing, singing and writing songs. Ditching the keyboard aged 11 for what he thought was “more cool”, he learned a few chords on the guitar from a neighbour and continued to teach himself into his teenage years. A positive reaction to high school performances by his peers gave him the confidence to audition for Britain’s Got Talent and start busking on Buchanan Street in Glasgow. 
“My advice to anyone starting out is to make yourself uncomfortable! Get out there and play in front of people you don’t know, send your demo to everybody and anybody… it’s scary but just go for it”. Although Jack appreciated the admiration of his mates and family, he recognised that, in order to grow and develop, he had to seek out more opportunities to share his music.

As with any artist, Jack has various musical influences from all genres that inspire his writing. A massive Biffy Clyro fan, he’s avidly followed the band from their humble beginnings and although he likens his style to theirs, he assures it’s not in any way an imitation of his Scottish heroes’ sound.  His dad being involved in amateur theatre productions throughout his childhood also inspired Jack, seeing how confident he was on stage. “ My dad never sang in public until he was 30! That’s why I think, growing up, he’s always encouraged me to try new things”. After leaving school a natural progression for Jack was to form his own band and despite a few necessary hiatuses along the way Last Exit have remained together over the past few years writing, recording and gigging at a number of events and festivals. As with any band, their sound has changed over the course of their existence but as the front man, Jack has been able to develop his style by writing much of band’s material. “When we started out it was definitely alternative rock sound but now we've went a lot more electronic”. The creative process is a meeting of conscious and unconscious, where endless random voice memos on his phone and screeds of paper filled with melody lines, lyrics and ideas lie in waiting to be plucked and perfected into songs. “Sometimes I’ll think ‘I really want to write a song today’ and I’ll sit there for ages coming up with nothing.  Other times I’ll be messing around on the guitar and start to create something and just go with it. More recently I've realised I've written songs through my subconscious, not realising that they’re about something specific that I hadn't intended to write about”.

Photo by Paul Anderson

  Jack enjoys the comradery of being part of a band, relaying hilarious stories of their drummer falling off a tiny stage at one gig, as Jack and the guitar player tried desperately not to get electrocuted in the pouring rain. Each rehearsal and gig is another nugget of experience which he enjoys and thrives on, regardless of the potential pitfalls an up and coming band can encounter along the way. Although continuing to do solo gigs, he’s keen to see the band flourish and Jack’s appreciation of the opportunities and support they've received thus far is evident. Amidst all the positivity, he admits that self-doubt is a reality for him. Moments of writers block or periods where the offer of a gig isn't there, it’s near impossible to avoid questioning your ability or your chosen path. “ It’s hard not to compare yourself to others. I always try to support local bands and artists but when you see them doing well you sometimes start to think ‘Why is that not me?! What am I doing?’”. Reflecting on the success he has had to date helps him to realise that the inevitable roadblocks a creative mind present are just par of the course.

In addition to honing their style of music, the band have established and marketed themselves as a brand, from their clothing to merchandise. “It’s good that we all have the same style and dress similarly. I've always been conscious of what I wear-it’s not that I'm materialistic, it’s just another way of expressing myself”.  In trying to build a fan base and get more work, they know the impact marketing the band with a cohesive look in their styling and the promo material can have. Gigging in some well-known Glasgow venues, over the past few years, the band have enjoyed the experience of playing to captive audiences keen to hear fresh new talent. “When you walk up the stairs at King Tuts and see all the posters of the bands that have played there, it’s amazing! To think that’s where they started too”.

Photo by Paul Anderson

As with many Creatives, Jack’s talent doesn't stop with music. About to embark on an Acting degree in Edinburgh, he hopes that his efforts in either medium will be fruitful. “The ultimate goal would be to be playing music and making money from it. Or acting! For me it’s not about being famous- it’s about doing something I love!”. Jack is always looking to stretch himself creatively and choosing to continue his studies after finishing his college course, he’s keen to make new connections, gain more experience and extend his knowledge of the performing arts. He’s a people person who values the input of his friends, family and fellow Creatives, who he also enjoys sharing his successes with but it’s notably his father’s backing and the respect he has for his dad’s own achievements that keep him plugging away. “It might sound cheesy but my dad has been a massive influence on me. He’s one of the best singers I know!”

First single/album you bought?

It was either a Gorillaz album or Eminem ‘Relapse’. 
I actually still like listening to rap.

Where’s your happy place?

When I’m with my family having a good time. I look back to Christmases and those happy times to inspire my writing.

Last book you read?

‘Mr Mercedes’ by Stephen King. I don’t read as much as I should but my girlfriend reads all the time and she’s always trying to get me to read more!

Biggest pet peeve?

I’ve got a thing about people making noises when they eat. Also, people talking when they’re eating! It really annoys me!

Life motto/mantra?

'You can achieve anything you want, if you want it badly enough!'. 
My mum drilled that in to me at a young age. 

Roasted or toasted cheese?

Toasted! (I subsequently corrected him!!)

Who dresses like a bad-ass?

I think any big rock star because they can get away with it!
 Mick Jagger-if I was to walk down the street dressed like him I’d get funny looks. I do love a funky shirt or suit though!

Favourite smell?

I really love the smell of petrol. Since I was wee I've just had a thing for it- I’d rolling down the car window at the petrol station!

What would you like people to say about you?

That I am ambitious!

Sing in the shower? If so, what song?

All the time! I don’t even realise I’m doing. The other day my girlfriend said I was singing Adele-I don’t even listen to her music!

If you could do one thing to help the world, what would you do?

I went to Kenya and helped build a school with my high school. After being there and spending time with the kids, I’d love to travel to other underprivileged places in the world and try to help make a difference.

The Vitals

Jack's Official Facebook page to keep up with his music and gig guide 

Jack's You Tube Channel 

Last Exit's  You Tube Channel 

See Jack play LIVE in September! 

The Braw and The Brave Meet....Ryan Moir

Photo by Scott Cadenhead

Meet Ryan Moir, a Musical Director, Composer and Performer from Largs. Coming from a very musical family, it’s no wonder he has fashioned himself an extremely successful career in directing musicals, youth theatre productions and pantos, as well as producing, composing and performing with his very own children’s theatre show, The McDougalls. From day dot Ryan was pinning up bed sheets as backdrops and charging his parents 50p to come see his shows. His love of music began at a young age and Ryan fondly recalls many a Hogmanay party at his Granny McDougall's house where everyone had a chanter, accordion or mouth-organ in hand or ‘took a turn’  belting out an old Scottish tune. He was destined to play an instrument but he explains, he didn't quite follow the family tradition,

“Every male, for generations, on my Dad’s side of the family have all played the bagpipes….I remember my Granda sitting me down when I was about 11, trying to get me to do scales but I wasn't really that interested”. His love of music saw him producing umpteen shows in his bedroom and back garden, his siblings and cousins in tow, with their parents being coerced into forming an audience on the sofa bed or garden bench. “There’s many a home video where I'm taking a strop because they aren't taking it seriously enough. This one time it started to rain halfway through our magic show and I was absolutely raging that they were all getting agitated, telling us to ‘hurry up!’”

Ryan admits studying an instrument or learning to read music wasn't something he was that keen to pursue but he had such a thirst for music, he’d return home from youth theatre rehearsals, only then to sit in front of his Casio keyboard for hours figuring out how to play the songs he’d been taught to sing, as well as recording tunes he’d composed on his cassette player.  Eventually going on to study Music and Theatre Studies at Glasgow University, Ryan continued performing and creating work outside of his course. “If I think back, from the age of 17, I was probably trying to build up a career for myself”. Never wanting to be pigeon-holed, Ryan actively sought out opportunities to work with different people and organisations, tapping into other aspects of the theatre other than music. His ‘variety is the spice of life’ energy saw him start to work as a freelance artist after graduating as the next natural step for him to take, seemingly unfazed by the uncertainty of going solo. “I think I’d find it quite odd now to go work for someone else. I like the freedom…creating your own destiny!” 

The McDougalls. Photo by Laura Robbie 

Two years ago Ryan formed The McDougalls, the family friendly, interactive musical touring company who have enjoyed huge success from the outset. “Originally it started as a one-off show we created as part of the children’s’ summer programme at Irvine Harbour Arts. Instead of putting on your usual workshops I came up with the idea of making a show aimed at preschoolers”. Ryan explains that although he is Artistic Director, it is very much a collaborative effort from all involved. Home town friends of his, Ruaridh Forde and Colleen Garrett, join Ryan and his sister Angie Moir on stage as up to 10 different characters in the McDougall Clan and behind the scenes they all have an input in to the creation of each production. “Everyone has a voice and a responsibility. Everybody wants it to do well”. From Ryan’s point of view there’s a reassurance of working so closely on something he’s so passionate about with people he knows well and trusts. Ruraidh and Ryan attended the local youth theatre together and after years of putting on shows together at home, Angie was bound to end up alongside her brother on stage. The emphasis is on fun and making things magical as the McDougalls take children and adults alike on various exciting adventures with Max, Mollie, Maisie and Auntie Aggie. Plenty of madness, mayhem and sing-along moments ensue and their sell-out performances in theatres, schools and arts centres across Scotland prove how entertaining and engaging their shows are. The company’s creative process is one which everyone is invested in “After pinpointing the big moments and a loose structure, as the musical element is so strong, we tend to figure the songs out first and then write the dialogue to link them all”. Although they set aside time to brainstorm and work collaboratively on each project he admits, “it’s a bit of a messy process…I don’t think there’s a linear process to anything. We know when the deadline is and we've just got to get it all done”. Although essentially a children’s show, entertaining every single audience member and providing a family experience is at the heart of what the company aim to do, ”Music is a great way to span the generations…it’s got to be of a standard so that the adults can appreciate and engage with it too”.

In establishing your brand comes the conflict of taking every opportunity offered and the possibility of compromising your artistic integrity in doing so. Ryan wants what they have created thus far to continue to go from strength to strength and has a clear vision of how that can happen without jumping through unnecessary hoops, altering their act for that chance of that one-off gig. “There’s no harm in being picky about what you take on if it means you’re protecting your brand. Making decisions not to do certain things, from a financial point of view, in order to stick to what you’re ultimately aiming to be is something you become savvy to over time”.

With the expanding success of a company comes the need but uncertainty of inviting other creatives or specialists to help raise ‘your baby’ and help bring the vision to life. “Initially when you’re starting something you’re frightened of involving other people….but now we’re working with students and graduates and we’re getting work that is good quality, affordable and giving them the experience and a good opportunity”. Ryan’s ability to be so hands on with every aspect of the company and the shows they produce is the key to their continued success and although he claims “I’m not particularly phenomenal at anything but I like to have an interest in various different things” arguably this is what makes it all work. His passion, determination and the sheer enjoyment he gets from creating something he feels is his is the driving force behind it all. Supported by his fellow performers and collaborators, Ryan is someone who is keen to support others in gaining experience wherever possible. Having been a youngster grabbing every opportunity presented to him he recognises the importance of opening the doors to fellow young creators. “We recently realised that everyone working on The McDougalls, from the cast, to lighting and sound are all under the age of 26”. Ryan is not one to rest on his laurels, he acknowledges that certain pitfalls of putting your work out in the world are inevitable but what motivates him is the responsibility he feels to keep to going even when things are challenging “If I don’t just go for it I know I’ll let down other people. When you've put so much work in to step one, it would be daft to just give up on it”

As if all that wasn’t enough to contend with, Ryan also runs Largs Youth Theatre, with 150 children between the ages of 3 and 18 attending classes every week. As well as acting, singing and dance tuition, the chance to delve into other mediums such as film making is also offered to aspiring creatives. Ryan over the past 3 years has also taken on the role of Musical Supervisor for some of Coventry based theatre company Imagine Theatre's productions, creating all the tracks, writing band parts and sourcing musicians for their annual pantos in various UK venues. It’s evident that he is hungry to work and engage with others and his talent, professionalism and work ethic serve him well. For someone so busy, spinning plates effortlessly left, right and centre, is there even time to reflect or allow self-doubt to creep in? “I’m always anxious about starting something new. Even when you know it’s going to be fine, you tend to lean towards that Scottish pessimism of expecting the worst but it doesn't hold me back….then in the end you’re often pleasantly surprised!”. Ryan is confident in his work and isn’t fazed by trying new things or asking for what he needs. That ‘if you don’t ask you don’t get’ attitude aligned with his positive outlook and friendly demeanour allows him to achieve his gaols and press on.  

 I had the pleasure of working with Ryan for the first time this summer on ATG’s Theatre Royal, Glasgow’s Stage Experience 2016 production of The Wizard of Oz and immediately warmed to his super friendly, laid back approach. I felt welcomed and supported by Ryan from the outset, as someone new to the organisation (Ryan also delivers weekly classes at the theatre) and thoroughly enjoyed a crazy-busy two weeks piecing together a full-scale production (starring 75 children and a real live Toto!) with him and the team. Ryan is a grafter in the truest sense of the word but he’s unassuming and appears to take everything in his stride. Going above and beyond the call of duty to produce the best work possible is an intrinsic to what he is all about but when you’re motivated by such love for what you do Ryan explains “you just kinda get on with it” 

What are you listening to?

“At the moment it’s all children’s songs…one’s from all over the world as I’m prepping for the McDougall’s Christmas Show ‘Chaos at Christmas’”

If you could have an unlimited amount of something, what would it be?

“Time! Everything is so fast paced-I’d like longer to think about things, reflect and plan.

Also time to be able to switch off”

Favourite word?

“Yes! I like yes people!”

Last film you watched?

I recently saw the new BFG film and really enjoyed it!

Biggest pet peeve?

“Waiting on people! Oh and people sauntering….I'm not a saunterer!”

Best song lyrics?

“’Let it Be”-I've always been a big Beatles fan.

Life motto/mantra?

“Just get on with it!”

Favourite musical?

From a sentimental point of view I would have to say,’Oliver’.  I played the part of Oliver when I was wee and it takes me back to that time whenever I hear the music from it”

Favourite place in the world?

“I like Scotland. Driving about in my car, I like looking at all the hills and the nice scenery….all my best ideas come whilst I'm driving around in my car!”

If you could do one thing to help the world, what would you do?

“Get them all singing! It’s the power in that 1 or 2 minutes of singing a song where people can forget all their worries. I'm not saying it’ll solve the world's problems but it can for that 2 minutes”



Be sure to get your tickets for The McDougall's fun-filled, magical festive production, 'Chaos at Christmas'.

On from 15th December at Harbour Arts Centre, Irvine 

C.R.E.A.T.E

Every Creative's process differs from the next. Carving out 'your way' comes with experience and with each creative encounter new techniques are formed, as you discover your potential & the many innovative ways you have up your sleeve for creating your work! There's no 'right' way of doing things and accepting that is a huge step in becoming the truest version of your creative self. Here are some tips that I find particularly useful when creating: 

Connecting with the world around you is vital to sparking those light-bulb moments when you need them most. Using all the senses to experience what life is offering you minute by minute, day by day will continually charge those creative batteries, without you even realising it. Being aware of what's available to you and what you can potentially tap in to is a gift from the universe ready for the taking! Go to a city and walk slowly down a busy street, observing and absorbing everything. The voices, snippets of conversations and languages you can hear; look high and low at the signs, window displays and architecture you can see; breathe in the scents and try to identify their source; take your hands to the varying textures and feel the rough, the smooth and everything in between. Sounds a tad creepy perhaps but slowing down to appreciate and take stock of your surroundings can enlighten the mind. If you get one tiny speck of inspiration, it's worth your time. We can't expect our poor creative brains to churn out masterpiece after masterpiece without refuelling it, now can we?! As Creatives we are preoccupied with constantly making something new to offer up to the world but you must remember that, in order to knit the jumper, you need the ball of wool. If you're switched on to your surroundings, you're speaking less & listening more, you'll be more likely to hear what you need to! 

Recycling is good for the environment- your creative environment, that is! Never be afraid to reuse what you have previously tried, tested and bought the T shirt of. If an idea has worked for you in the past and seems a perfect fit for your current project, it shouldn't be deemed a cop-out to slip in to that 'one size fits all' concept one more time. After all, you may be sporting the same T shirt but you can customise & accessorize to remodel any previously worn look, producing something very different from the original. We all endeavour to create unique pieces of work that have been born out of brand spanking new sources of inspiration each and every time  but if that's forced, you could be missing out on a golden opportunity to up-cycle. Sometimes it's okay to go with a 'If it ain't broke, don't fix it' vibe, if what you plan to do with it this time round is subject to  some tweaking. 

Experimenting is about taking risks, going with your gut and making mistakes that you can learn from. In the creative process a  'Try before you Buy' approach will ensure you get exactly what you are looking for eventually but, like with any new journey, you have to be willing to explore and potentially get lost before locating your desired destination.  An idea is one thing but in order to know if it's the missing jigsaw piece you've been searching for, you have to pick it up, play around with it and try to make it fit before you can know for sure it's the perfect match. Fear of failure threatens to stop awesome ideas in their tracks before they've even made it off the starting block. When an experiment goes spectacularly wrong, there's something to be learned from it, so you have to be up for trying it out. Where they say baking is an exact science, creativity is more like cooking- a pinch of this and a dollop of that won't always work out the way you expected but you're more likely to be able to cover up any mishaps with more spoonfuls of creativity. Who knows what you'll end up with and that's where the fun is! The power of the unknown is exciting & inspiring, so be more open to experimenting! 

Aim high! Pushing yourself and your work to be the best it can be takes hard work and determination but the rewards are worth the effort. It's okay to strive for what you deem 'perfection', as long as you enjoy the journey- there's no point in creating something beautiful if the process was damn  ugly, as it will be the latter you'll remember most. All your connecting, recycling and experimenting will help shape the ultimate goal you're striving for and then all that's left to do is more of the same to get it just right. The sky is the limit when being creative-so don't seek shelter when you have the chance to dance in the rain! 

Take time to create. Those light-bulb moments can be fairly sporadic so best not to expect to be able to turn your creativity on and off like a switch. Breaking the task in hand in to manageable chunks will avoid you feeling overwhelmed with the need to create something amazing on a deadline. Rome wasn't built in a day and neither will all your masterpieces. When I'm choreographing a dance, I find myself working on it to a certain point but then having to step away from it for a while to take stock of what I've produced thus far, before being able to move forward with it. That's it to say I'm not lastminute.com with projects (I'm often found procrastinating over a To Do list until it's absolutely necessary to start creating!) but I know the process is more pleasurable when I can work at a leisurely pace & take pauses intermittently to mull over things.

Evaluating your work as you go will inevitably help create something you are happy with overall. Yes, there's always hindsight to flag up the 'what I shoulda/coulda/woulda done'  but if you're able to continually critique and question your creative choices as you're making them, the final product is more likely to meet or even excel your expectations. 

And there you have it, 6 pointers that may help you create more efficiently and effectively. I'd be interested to hear from you as to what your hints and tips are!

Lisa 

CollaboGREAT!

Us mere mortals are forever in life trying to 'make the team'. As a kid on day one of primary school scanning the playground for a buddy, to being a twenty-something newbie at the local gym's spinning class, hoping a friendly face will look your way-we all want to be part of the gang! It's human nature to gravitate towards other like-minded individuals who you feel bring out the best in you. Those folks who just 'get you' and allow you to express yourself, experiment and explore without judgement. 

As a freelance dance artist & choreographer,  I'm often working & creating alone. Yeah, I may be teaching up to 250 people in just one day and meeting heaps of new folks every week but I'll be out there, most of the time, delivering sessions on my own with only my ideas, knowledge and experience in the mix. Of course the freedom is very liberating, with no one to question or quash your decisions but in the same light, when creativity grinds to a halt, you're left feeling like you've asked me, myself and I one too many times to expect to get any pearls of wisdom in reply! The light-bulb moments at times will dwindle, where you've spent the last hour staring a blank piece of paper hating every single idea that has floated to the surface of your muddy pond water of a brain. The struggle is real and sometimes you wish could just go fishing some place else! 

This is where collaborating with others saves the day. Teaming up with fellow Creatives will inspire and motivate you to beyond what you thought was possible. Their input can conjure up ideas and offer moments of clarity that would have never come to fruition on a solo mission. I can safely say that in every collaborative project I have worked on, there has always been that stroke of genius moment, a new lesson learned or validation of my work that I needed. That's not to say that plain sailing is guaranteed- too many cooks may not spoil the broth entirely but it sure can throw the odd spanner in the works along the way as creative differences become apparent. However, hurdles aside, the pros of working collaboratively arguably out way any potential pitfalls in my opinion. 

 Like a chain reaction, someone else's decisions or actions help you steer your own plans for a project, with that common interest in making something tick beautifully at the heart of everyone's agenda. A Director's specific vision for a scene in a production, a designer's urge to use a glitter ball or a choreographer's signature style is bound to assist your own creative process. Peering out of your comfort zone and opening yourself up to the unknown feels a lot less scary when you're in the company of others who are willing to do the same. Venturing into a new project can be like the first day at university-it all seems a little less daunting when you take a mate along who is in the exact same boat as you are. When there's someone to say 'yes, that works!' Or 'yeah, me too!', the doubting Thomas in your head is less likely to be heard or adhered to! 

Recently I've had the privilege and pleasure of working more and more collaboratively which actually helped inspire the creation of this blog! I'm sure I'm not alone when I admit that I often feel the initial pang of inferiority when presented with the opportunity to team up with others. My self-doubts of 'not being good enough' or 'being found out as an imposter' are a given- it seems near impossible for me to approach any new venture (solo or collaborative) without a hint of self doubt and that's something I have come to expect but realise I can overcome. Being on a team is exciting and inspiring but it's blooming terrifying too! 'What if they don't like my ideas?' 'What if mine clash with theirs?'. These are quickly dashed when you get to work and discover that your counterparts are scarily similar to you- they too have their own self doubts and creative demons to deal with and they don't have all the answers that you thought they would! You soon realise you're in a gang of peeps just like you and all your strengths and weaknesses compliment and support each other's. Questions and answers are often met with considerable ease when there's more than one brain in the mix and you all provide a safety net for everyone to try stuff out without fear of failing miserably and having no where to go but down in to the black hole of 'No Ideas-ville'. 

Collaborating with others is a real highlight for me! It makes me feel that I'm not out there on my lonesome. That this freelance malarkey has achievable squad goals and I'm safe in the knowledge that I'll be saved from running out of inspiration, as long as I make an effort to team up with others to create things. You're bound to learn and grow with each new encounter and your own input will have undoubtedly inspired others! 

My advice to any Creative is to take a leap of faith when it comes to working with others. Don't go in there with pre-conceived ideas of how it will all go down. Be open to new things, be confident in your own abilities and ideas and be ready to be inspired by others. Like any self respecting superhero alliance, individually the members are pretty darn great but together....they are KICK-ASS GREAT! 

The Braw and The Brave Meet.....Kirsty McCabe

Kirsty McCabe is a Freelance Theatre, Set and Costume Designer based in Glasgow. A Royal Conservatoire graduate (formerly RSAMD), Kirsty has sculpted a very exciting, successful career for herself. Her mantra is "work hard and be nice to people" and she's living proof that this is sound advice for any budding designer, having worked with the likes of Tron Theatre, Scottish Opera, National Theatre of Scotland and Scottish Youth Theatre on a variety of productions and projects. She designs and creates the most stunning sets and costumes and I personally adore her work....hence this interview! 

"To me education is a leading out of what is already there in the pupil's soul" (Muriel Spark, The Prime of Miss Jean Brodie) 

 Body-swerving her dad's suggestion to become a dentist, Kirsty quite vividly remembers the moment she realised what she wanted to do. "I went to see 'The Prime of Miss Jean Brodie' and I completely fell in love with it. I thought it was fantastic and the set was beautiful. I thought I could do that, it just clicked" . However her love affair with creating spaces didn't begin there. Much younger, at aged 8 she could be found, way past bed-time, rifling through Argos catalogues "designing plan views of homes and fitting in furniture to imaginary rooms". All through school she hadn't always realised or considered that her obsession with creating places and could be a career option. Deliberating over an Art School route vs a more practical Theatre production course in her final year at secondary school, it was a battle won by the latter, as Kirsty wanted to be around people and the initial idea of studying sculpture seemed potentially a rather solitary existence. Surrounding herself with like-minded people has been what Kirsty attributes to the success she's enjoyed thus far. Her studies introduced her to the world she was so keen to be a part of and she found herself, straight out of university, working at the Tron Theatre on her first design job. It's evident that Kirsty was meant to pursue a career in design. She'd been blissfully unknowingly preparing for it from a young age & her pockets full of stones & acorns were just the start of something beautiful.

A Present State. Photo by John Johnstone  johnjohnstonphotography.co.uk

'Here are a few of my favourite things....'

 Having worked with Kirsty on a few productions recently, I was interested to find out what exactly her creative process looks like from the get-go. As a Choreographer, I have came in to the equation in the later stages of the project where her vision and it's execution is already in full swing and so I haven't been privy to her work from the outset. Although each project will have it's own specific research and 'mood boards' of ideas to work from, Kirsty is on a constant collecting and creative adventure, looking at the world around her for inspiration. Taking photos, mental snapshots and picking up little treasures where ever she goes that she can keep and use as and when she needs them, it's something she's been doing all her life.  "When I was a child, I thought your 'collection' at Sunday School was your collection of things that you would show people, like everything in my pockets....". She works best in her studio, surrounded by her 'collection', sorting and sifting through everything she's gathered as inspiration, with a deadline but leaving things to the last minute. Personally, I can be the same with my work and can often be found apologising for the fact, when, as Kirsty says quite rightly, if that's what works for you, you shouldn't see that as a negative. If there's a hint of pressure that is often what can help you pick out the most attractive, best-fitting options from the jumble-sale of the ideas in your mind. They are all there, you just don't make your selection until you really have to. Kirsty calls this the moment when she feels like she's 'cracked it'. She knows what the language is and developing it now seems possible. Kirsty creates rules or parameters for herself, whether that be a distinct colour palette or certain materials used as a starting place and says it's all about finding the 'right' rules for the piece.

"If I can find that visual language...know the rules of the world I'm making then, it means that as things change, it's still what I want". Kirsty explains that her style is ever-changing with each project she works on but there are things she'll find herself going back to time and time again. Her love of a good pom-pom (who doesn't love a pom-pom?!) has meant she's been known to endure a repetitive strain injury to bring her vision to life. Talking to Kirsty, you can see she thrives on the creative process and is thorough in her practise to ensure the language she's created is clear throughout the entire design.

Snow Pals, Tron Theatre, Photo by John Johnstone  johnjohnstonphotography.co.uk

Navigating through the Dragon's Den of Theatre Design 

 Aside from her own artistic style, as designer working with a team of other creatives, Kirsty has the (at times!) unenviable task of taking either a Director's very specific vision or trying to make sense of vague ideas as to how they see the performance and then shaping these with her own ideas to make it work. This is something she has mastered through experience.  Inevitably this is where self doubt can rear it's ugly head, when her suggestion for the look of a show needs to marry up with what the Director thought they wanted or be the missing jigsaw piece that she has been entrusted to find. Critiquing and doubting your own work is tough going at the best of times but handing it over for scrutiny in it's infancy? Now there's the rub. Her explanation of the initial production meeting where she presents her design to the Director and Technical team makes it all sound positively terrifying. "In that meeting there's no room for praise. If you're worried about it, you're not going to be consoled. That meeting is purely for my ideas to be picked apart, will it work?" Doubts or excitement for what she has planned aside, Kirsty explains that this, however painful, part of the process is essential and you just have to develop a thick skin to shield you from what feels negative to move forward. Consideration of cost, time and manpower required, it's all about finding a balance of what is feasible without compromising her vision."The team are finding all the negatives for you....You need to do that as you need it to work". Getting the team excited enough to want to make it all happen can also make things easier, especially when it involves them "flame-barring endless bales of hay in a paddling pool". Standing your ground on the must-haves, yet having alternative options on stand-by to pull out of your magician's hat when the final answer is no, is all part and parcel of Kirsty's role as designer. "It's a lot of diplomacy but it's satisfying once you get to the end and you've come through all of that and it still looks like what you wanted it to". 

 Preferring to be on board from the beginning of a project, she can then have a constant dialogue with a Director to construct something they both are happy with, that works best. Communication from the get-go makes for a smoother and more enjoyable creative experience. "As the years have gone on , the process is of making something has become more important for me".

 #GirlBoss

 When your passion becomes your work it's difficult to power down from it all but this is something that Kirsty happily accepts. "I used to go see loads of theatre as a way to switch off.....now I go to see shows and most of the time I'm thinking about how I would have done it". The exceptionally long hours also aren't a problem when you love what you do and Kirsty just embraces the opportunity. "It becomes a piece of who you are as you spend so much time doing it and thinking about it". Aware that some family members and friends may not always 'get' what she does, Kirsty admits that it's only been in recent times that she has realised that she is, in fact, a business woman. Being immersed in what you are doing can often blind sight you as to the path you are on and who you are as a Creator. Acknowledging that she is actually running her own business has changed how Kirsty now sees her work. She advises that as freelancer it is useful to at points to "take your own personality out of the equation and think about what you can offer, what skills you have and how much value there is in that". When your personality and your life's work are so closely entwined it's important to view them as two separate threads and so when promoting your work, you aren't promoting you - it's your product. That's not to say personality isn't important in the industry and remembering that your reputation proceeds you will often be a key to your success. Kirsty is a lovely person who gravitates towards and values that in others. "I don't hire people, even if they're ridiculously skilled, if they're not good to work with. I'd rather hire someone who I can get on with". 

Elf By Herself, Tron Theatre. Photo by John Johnstone  johnjohnstonphotography.co.uk

What About...?!?!

What’s on you iPod right now?

I just love 90's R&B! I'm loving the resurgence of Craig David..!

If you could have an unlimited amount of something, what would it be?

Extra Strong Mints - that's my complete go to.

 Favourite word?

Coorie! It's the nicest word!

Last book you read?

I'm reading Tennessee Williams' memoirs again at the moment.

Biggest pet peeve?

Rude people. There is just no need.

Favourite film?

Probably 'Clueless' right now!

Favourite smell?

Bread. All the bread!

What’s the best bargain you've ever got?

I got a brilliant leopard print pencil skirt for a £1 and I wore it endlessly.

Finish this sentence…. “I'm happiest when…..”

I'm in my bed....coorie in!

What’s the best invention ever?

Probably the coat-hanger..?

What advice would you give your teenage self? 

Chill out! Don't be so serious! 

@YouLuckyPanda. 

Kirsty is always willing and aiming to try new things and branch out. From teaching herself how to design her sets on Google Sketch Up to mentoring students, she's keen to constantly diversify. There's no big grand plan or one route she is following but there's sure to be many journeys and adventures as she doesn't pigeon hole herself or limit her imagination. With an abundance of skills and armed with enthusiasm, Kirsty is keen to learn, know and create more. Her social media handle may be @youluckypanda but it's purely hard graft, talent and passion that has got Kirsty to where she is today! She is mild mannered, always smiling and all about the PMA! She has time and interest for what you are doing and although passionate about what she does, isn't boastful. Her work is beyond beautiful and her drive, inspiring. I'm thrilled to have had the opportunity to meet and work alongside her in recent times and hope to continue to.  She deserves every success and I'm excited to see what she does next! 

Get involved!

Kirsty is teaching Set & Costume Design Classes which start in the Autumn at the Tron Theatre, Glasgow.

The term starts on the 6th of September and runs on Tuesday nights, 7pm-9pm, until the 29th of November. 

Open to any adults interested in theatre design-no previous knowledge or experience necessary! The term costs £110 (£100 concession) and includes all materials. 

Secure YOUR place by getting in touch with the Tron Box Office on 0141 552 4267 or to find out more, contact lisa.keenan@tron.co.uk 

Go follow Kirsty on Twitter @youluckypanda