The Braw and The Brave Meet..... Greg Robertson

Greg Robertson has always been a bit of a song and dance man. From the tender age of 4 he was pestering his mum to allow him attend dance classes with the girls she child-minded and tagging along to the local amateur dramatics club to watch her tread the boards. He caught the performance bug early on starring in many a school show as a teenager growing up in Cumbernauld. Seizing any opportunity to perform Greg, over the years, has been involved with a variety projects and in 2014 was delighted to dance at the Commonwealth Games Opening ceremony in Glasgow. "I loved the large-scale formation work. We rehearsed on a football pitch which was all marked out. That kind of choreography work fascinates me".

 He soon became a triple threat enjoying singing and acting as well as dance, joining a local am-dram club and it was there he found his passion for choreography. "When I was with the Apollo Players I remember watching John Carlyle choreographing a number and I was amazed". Whilst studying a Community Arts Degree, Greg started singing with a community choir in Glasgow, Musichoir Scotland and eventually took on the role of choreographer for both their Glasgow and Ayrshire branches. 6 years on Greg continues to work with Choir Master Neil Thomson to create full-scale, lively productions. "At first I wondered just how much I'd be able to achieve working with non-dancers but over time I have become a lot more confident in my abilities to get the best from them. They are always so grateful for your support!"

Musichoir Scotland

As a freelance artist, Greg has had to create his own opportunities approaching amateur clubs to work on their productions. Teaming up with Runway Theatre Company in 2015 for the show Evita,  Greg admits "They took a chance on me as I'd never choreographed a full-scale musical before!". But it was a chance worth taking and having just produced a show-stopping dance extravaganza  with their sell-out run of Priscilla Queen of the Desert, it's a certainty the club won't be looking back on their decision to hire him. Not one to do things by half, he also stepped back in to limelight and in to the (sky-scraper high) shoes of one of show's leads and with 25 musical numbers to choreograph it was no mean feat juggling the two tasks in hand. "On opening night I actually felt sick. The show had had so much buzz surrounding it, I just wanted it to go well". And indeed it did, with standing ovations and rave reviews cementing that they had produced something quite spectacular. With energetic, fun-filled performances, Greg's choreography brought each number to life with verve and vigour. 

Runway Theatre Company's Priscilla Queen of the Dessert, 2017

The creative process for Greg starts with the music, continually listening to a song whilst commuting helps to get a basic outline of the number in his head, adding the detail latterly. Picturing formations, changes of level and the ebb and flow of a piece initially helps to shape a blueprint version of the choreography without having to delve into the intricacies from the get-go. He draws his inspiration from the music and his performance background and although he respects how others may have preciously produced a number, he feels it important to not be too influenced by what has come before. "With some numbers in certain shows, there are those movements or moments where you'd be doing it a disservice if you didn't reference something that is seen as iconic but mostly I prefer to do my own version".  Like any good practitioner he is ever-prepared but leaves enough wiggle room within his work to allow the rehearsal room the freedom to breed it's own steps. When a creative blockage arises it can be a real stumbling block when you're working to a deadline. Rather than risk producing something that doesn't feel right Greg explains, "When I think "Right, I need to get this choreographed today" and then nothing seems to come to mind, in those scenarios I find it's best to step away from it momentarily and come back to it at a later time".

In the Heights 

Working with his performers Greg is able to also draw ideas from how they move and interact. Playing to everyone's strengths is a vital part of directing amateur performers of all ages and abilities and it's Greg job to produce choreography, however simplistic or intricate, that everyone involved can achieve and bring to life on stage confidently. Your teaching style and the support and encouragement you give is what can make or break the final product. "When I first stepped off-stage to choreograph a show, I wondered if I'd get the same buzz as I did performing.....it was actually better! I sat in the audience on the opening night balling my eyes out. I was so proud". Over the last year or so he has worked on a a number of musicals, including In The Heights with Glasgow Music Theatre, The Addams Family with Eastwood Entertainers.

The freelance life can sometimes be a solo venture, so getting the chance to team up with other creatives wherever possible is so rewarding. Both Greg and I had the pleasure of co-choreographing Theatre Royal Glasgow's Stage Experience production of The Wizard of Oz last summer and personally, working with Greg was a real highlight of what was a wonderful (crazy busy!) two weeks. Being open to collaborating with and learning from others is something that all creatives should embrace. Greg has worked with directors, musicians, other choreographers like myself and has appreciated every opportunity he has been given thus far to grow as an artist. 
"I'm the first person to congratulate another choreographer when I've enjoyed their work. I'll also happily recommend someone else for a job I can't take on".  There are always new lessons to be learned along the way and with experience comes the confidence to go with your instincts and believe in your strengths as a creative. "If I had any advice when creating something from scratch, it would be to trust yourself. When something feels like it may not work, try to stick with it and see what the outcome is". Greg endeavours to be supportive and encouraging to fellow performers and colleagues. With every project he undertakes he faces it with great enthusiasm and a drive to produce the best work he can. He has a passion for musical theatre and it's one he enjoys sharing with others. "You just have to enjoy it and always remember you're really lucky to be doing something you love". 

First single you ever bought?

Britney Spears' 'Hit Me Baby'. I had posters of her all over my room"

If you could have an unlimited amount of something, what would it be?

"Time to go see more shows. It's so hard finding the time to go and support other amateur productions" 

Most commonly used word?

My girlfriend says I say 'Okay' a lot. She says I use it at the start of sentences even when it doesn't make any sense!"

Hidden talent?

"I can play the trombone!" 

Favourite musical?

"That's a difficult one....it changes all the time. I love WICKED! But if I had the chance I'd love to choreograph Chicago"

Keep up with Greg via his Facebook page!!

https://www.facebook.com/GregRobertsonChoreography/

The Braw and The Brave Meet.....Lawrence Crawford

Since starting this blog last year, Lawrence Crawford has been on my interviewee wish list. Despite working alongside each other on the same project for a number of years now, sat in many an-all day meeting together, I had never had the opportunity to actually sit down with him to discuss his work as an actor, director, playwright and filmmaker....until now that is.  

Coming through the ranks of youth theatre, Lawrence remembers a sense of not fitting in at secondary school and it was going to study a BA in Drama Studies at the tender age of 17 at Glasgow's RSAMD (now The Royal Conservatoire of Scotland) where he finally felt at home."It was somewhere I could do silly voices, be myself and no one would comment on it". After graduating, he threw himself into acting, constantly commuting back and forth to London for auditions. In 1995 he was cast as a young officer in Bill Bryden's production Big Picnic about young Glaswegian soldiers in WW1. Starring well-known Scottish acting talent such as Jimmy Logan and Dave Anderson, Lawrence recalls the experience with real sentiment, with the attention to detail seeing him trained by an ex-army officer and the grandiose scale of the production being so fondly etched in his memory. However it was the bond formed with his fellow performers and his time spent with Jimmy Logan that made a lasting impression. "One thing he taught me was to let a laugh breathe. He knew about timing. You need to read your audience".The cast held a 20th anniversary reunion in 2015 which was tinged with some sadness at the loss of some their fellow cast members over the years. It is clear his time spent on this particular production has made a lasting impression and he is immensely proud to have been a part of such a large scale, prominent piece of Scottish theatre. 

Despite his success as an actor, which included appearing in the film Bent starring none other than Mick Jagger,  Lawrence found it increasingly frustrating at being typecast as the stereotypical Scottish junkie, young thug, alcoholic or car thief. "As actor you don't have a lot of power. You're reading someone else's lines. You're being told where to stand and what to do by the Director. There is a degree of creativity but you don't really have the power to change things".  It was then Lawrence decided to start making his own work and returned to his studies, this time at RADA in London. An intensive year of studying and working full-time to pay for his bed-sit saw him complete a masters degree in Theatre Text and Performance. Writing and directing, soaking up the London life and culture, after five years in the 'Big Smoke' Lawrence finally decided it was time to return home. Scottish theatre had gone through some significant changes in the time he had been away and he was now keen to get involved in the thriving scene. 

Directing plays for the likes of National Theatre of Scotland, leading adult theatre groups for South Lanarkshire Leisure and Culture, The Arches and Falkirk Youth Theatre, Lawrence over the years has worked with a variety of organisations producing and facilitating. He enjoys devising new pieces with his actors, as well as creating theatre that delves into themes that interest him personally. "When I'm writing I try to imagine someone actually saying the words. I try not to be too precious, so when you hear it read aloud in rehearsals there's room to change things". Inspired by the works of Ken Loach, Mike Leigh and Iain Heggie, Lawrence likes to give some ownership back to the actors but also include his audiences. His 2010 play COMA forced the audience to play the role of the doctor who decided the fate of an unconscious patient on life support. "It's about finding the balance of getting them involved but not to the point where they find that off-putting".

COMA by Lawrence Crawford

In more recent years, love for his homeland and a fascination with some of his Scottish heroes has encouraged Lawrence to produce new work that sheds light on some untold stories. His play Connolly in 2016 about the 'Big Yin' turned back the clock to Billy Connolly's child hood and his life in the shipyard industry. Research is paramount when creating this kind of theatre and this is something Lawrence revels in. "When you find out something you did not know it's exciting to think how you will include it to inform your audience". Currently he is working on staging Alan Bissett's novel The Incredible Adventures of Adam Spark.  Set in Falkirk about Falkirk young people, Lawrence has made it his mission to breathe life in to the adapted for stage version of the novel which to date has never been performed. Tackling themes such as racism and homophobia, set during the Tony Blair/Iraq War years, Lawrence feels such issues are still ever-so current and important for youth theatre to take on . "Alan attended our first read through with the cast. He'd never heard young people read it aloud before. The very people who he'd written it for". 

Connolly by Lawrence Crawford

In storytelling Lawrence recognises the weight of responsibility that also comes with his work. As a filmmaker he recently had the opportunity to give a voice to those who at one time were silenced by their circumstances. His film The Kids Aren't Alright tells the harrowing stories of four young girls from Ayrshire who have lived through parental substance abuse. Involving the young people in every aspect of the creative process was critical as Lawrence was adamant that they were comfortable with any decisions made. "In capturing their stories I knew I had to start with a blank page. It had to be told by them". From holding auditions to editing, the young people were given the chance to contribute at every stage, giving them some ownership over a situation they previously had no control over. A screening was held in January of this year and the film has been greatly received. Tackling such a difficult subject matter was a challenge but one which Lawrence was very keen to undertake, in a bid to encourage other young people suffering in silence to speak out. Plans to share it with youth groups and schools across the country are underway and there is hope that it's message of hope will resonate and reassure young people in similar circumstances. 

The Kids Aren't Alright by Lawrence Crawford

Working as a freelance artist Lawrence finds it imperative to constantly challenge oneself in order to make work that is both fulfilling and inspiring. "It's about putting yourself out of your comfort zone. Giving something of yourself when you're asking others to do so".Collaborating with songwriters and choreographers allows him to not only bring his vision to life but to also see how things look from another creative's perspective and to continually reevaluate his decisions. With experience comes confidence but Lawrence isn't one to rest on his laurels. Having several strings to his creative bow and always looking to challenge himself, his most recent project, making a film about his father's battle with Dementia, may be his hardest but most rewarding endeavour yet. "I feel it's helping me to deal with the situation". Never one to pigeonhole himself, Lawrence believes that as an artist your journey is more important than the destination. "Don't give up, keep on setting yourself goals and don't compare yourself to others" are his mantras and they are clearly serving him well. Famed for his distinctive, very dapper sense of style Lawrence is keen to put himself out there in the hope that others will feel more at ease in expressing themselves through drama. "If wearing a silly shirt breaks the ice, I'm more than happy to get teased". 

First single you ever bought?

"We are Glass by Gary Numan. It was a 7" single from Woolworth's. I used to buy one every week and I still have them!"

Favourite film?

"One Flew Over the Cuckoos Nest. I have a theory that actors are at their best when they're still hungry and for me, that was a role Jack Nicholson was born to play. He was an unknown and at an age where most actors have given up. The actors had spent time in mental institutions to prepare for the film and I think you see that"

Biggest pet peeve?

"Ignorance. Any kind of isms. I hate to see videos of terrible things happening on public transport with people standing by and not intervening. You have to question why we live in a society where we're happy to stand by and film these sorts of things"

I'm happiest when....

"When I'm around people I love"

Best invention?

"Electronic music. I used to be a DJ and I'd have to carry my entire record collection to gigs. Now you can store 1000s of albums on a laptop!"

Favourite song lyric?

"John Lennon "a working class hero is something to be". If the common man likes you, you're doing alright.I guess it's because something else that I'm passionate about is that the arts should be accessible to all."

The Braw and The Brave Meet....Christina Rose Leon

Meet Christina Rose Leon a Glasgow-based jeweller. Specialising in stone setting and enamelling, Christina works closely with each client to create a beautifully bespoke piece of jewellery that will be treasured for a lifetime. From engagement rings to diamond encrusted pendants, Christina is sensitive to the sentimentality of gifting and receiving a something that is not only handcrafted but totally unique and this is evident in her impeccable customer service, as well as the time and effort spent behind the scenes to ensure she produces the perfect piece. For Christina it's all about the client and the vision they are entrusting her to bring to life on their behalf.

Attending evening classes in jewellery making aged 20 was the defining light bulb moment Christina had sought after. "On the first night I made an ugly copper ring. On the bus home I couldn't stop looking at it. I was in awe of this thing I had just made". Whilst she recalls those around her being intimated by the materials and the tools in the workshop, Christina felt instantly at home, confident to just get stuck in and give it a go. Leaving school, unsure of the career path she wanted to take, Christina had been temping in offices and dabbling in photography, trying to gain some experience in the world of work. "I'd recommend this to anyone. It made me more confident. Going straight from school into further education can be difficult for some as staying self motivated and sticking to deadlines can be challenging. Getting paid for something made me realise that my time was worth something and that made me want to work harder". 

Showing a real passion for jewellery from a young age, Christina was fascinated with cleaning and inspecting her child-minder's rings as a kid and obsessing over a jewellery box filled with the intricate 'treasure' she had been gifted by a relative. Growing up she had great interest in how things were crafted and could be found dreaming up all sorts of creations."I've always been good at making stuff but never thought I was that creative. I am a passionate maker". It is an understanding of where her strengths lie that has led Christina to carve out a very successful career. She gets real satisfaction in designing bespoke, one-off pieces for her clients where she is able to breathe life into their ideas. Through her ability to extract all information and inspiration they can offer, problem solving her way through a brief brings Christina to the final design. 

Graduating in 2009 in bench making skills, Christina worked as a freelance jeweller for many years, keeping close links with her college by attending open classes regularly. When her lecturers a few years ago suggested she return to study computer aided design she admits she was rather reluctant at first. Having had no experience in using this kind of software, she realised that the year-long honours course would be somewhat intensive but a worthwhile endeavour. " The first day we were given an image of a ring and told we had less than a week to prepare a 10 minute presentation on how you would make it on CAD. I was studying alongside others who had been using it for 3 years and I had to learn it from scratch!". 4am rises and 16 hour days saw her immerse herself in her studies, determined not to fail at something she was completely new to. Persuading the college to allow her to concentrate solely on stone setting briefs, she was able to make sense of all the skills she was gaining through re-teaching a fellow novice student what she was learning on a daily basis. This is something that was of real benefit to her studies and she now continues to support other jewellers by offering one to one sessions to assist them in their work. 

The creative process can be lengthy with great attention to detail being bestowed on each piece of jewellery commissioned.  It can be months in the making from idea to the finished article being in the owner's possession. As well as the design concerns, it is in Christina's interest to present her clients with all the options within (and sometimes out-with) their budget parameters. Becoming a mind reader and working off of her intuition, it becomes a process of elimination with her presenting a few options based on the information initially given, to eventually narrow it down to the design and materials that fit perfectly. "Some people have no idea what they want but in chatting with them, likes and dislikes they didn't even know they had can be revealed.". The indicisiveness and uncertainty that inivitably comes with trying to extract and pinpoint what it is a client actually wants can add to the challenge of defining the exact details. Armed with everything she has collected, Christina gets to work on each commission liaising with the client throughout the process but has, over the years, learned not to be self critical of what she knows to be her most productive way of working. "I used to lie about when I got up. I now know that I work better at certain times. I'm confident to say what works for me and I won't apologise for it". Quite often having to put her own preferences aside, the journey is entirely client-centred. However working on a something for such a long time Christina admits "I always end up loving it in the end! I know every single bit of that piece of jewellery and you've been handling it for so long that you do become attached".

Realising the importance of being social media savvy is something Christina has always been switched on to. A successful Youtuber and former Dailybooth creative, her love of interacting with like-minded creatives on-line has served her well in promoting her business as a jeweller. "I am on so many social media creative groups as I like to bounce ideas off others. Nowadays it's such an integral part of your business, compared to 6 or 7 years ago". Scheduling in time to promote her work online, as well as catching up on what others are doing in the industry is part of her working week. As a freelance artist Christina not only finds it imperative to stay connected from a business point of view but as a creative, collaborating and sharing ideas helps to keep her motivated and inspired.  Clients' testimonials and their publicity of her work assist in securing that next commission, with the real highlights being in those "she loved it!" emails. 

Christina is invested in every single piece of jewellery she lovingly produces, greatly valuing her client's decision to select her to be their jeweller. The rewards outweigh any of the challenges presented and she is highly motivated by the story and the people behind each and every piece. I was very lucky to be gifted a bespoke ring designed and made by Christina and it's something I cherish dearly. You are made to feel very special when something has been painstakingly produced with you at the heart of every decision made and Christina's exceptional craftsmanship and creativity makes that dream a reality. Christina is a people person and it is her friendly, approachable, professional manner, married with her undeniable talent that makes her exceptional in her field. 

If you could have an unlimited amount of something, what would it be?

"I really want to say sleep. I love a cat nap! Oh, tea too!"

Who dresses like a badass?

"The whole of France! I've always watched French movies and I love how the women manage to look so effortlessly fabulous! I've never been one to follow fashion trends or celebrity style"

Biggest pet peeve?

"People not following the rules. I recently was on a tour of the City Hall in Belfast and the guide asked everyone to stick together and the amount of people that wandered off and then we had to wait on them. When people are late for things it stresses me out too" 

Hidden talent?

"I can hoola-hoop for 2 hours and 10 minutes! I was doing a Youtube video during the Olympics and discovered that I could just keep going!"

Favourite smell?

"I have a candle that smells exactly like these little jelly sweets from when I was a kid. I used to get them on top of milkshakes that my dad took me to get. I cherish that smell as it takes me back to such a nice time" 

Website 

https://www.christinaroseleon.com

Facebook

https://www.facebook.com/christinaroseleonjewellery/

Instagram

https://www.instagram.com/christinaroseleonjewellery/

Twitter 

https://twitter.com/crljewellery?lang=en

Speak Now or Forever Haud Yer Weesht!

Us Scots have ai had a way wi words. Footerin' aboot with the English language we've coined patter to express our optimistic, (at times) brutally honest and banter-fuelled outlook on life. I've personally always admired the brave, no-nonsense approach to offering opinion and advice in our own unique fashion, married with our compassion for our fellow neibor.  We’re a’ Jock Tamson’s bairns after all and if you need a boot up the bahookie you're in guid company, as some of our most commonly used Scottish phrases will have you realising you're a lang time deid.

Finding the right words can make or break the most poignant of moments. Agonising in the supermarket over buying a birthday or sympathy card stems from our desire to express ourselves accurately- we want to say it all but by using a few choice words that get across our genuine sentiment. We Scots excel in keeping it concise, summarising our words of wisdom or  observations on life into some neat little ditty that is bound to hit the nail on the head every time. Some of the most commonly used Scottishisms have stood the test of time because they help convey something perfectly without faff or fodder.

But why bother? Why not just tell it like everyone else? Finding your way of saying something to make it yours, to make it more memorable, have it make more of an impact or invoke a reaction is essentially the mission of every  Creative. Thinking outside of the box, colouring outside of the lines, taking the scenic route is the journey you embark on to have your unique voice heard. Crafting and fine tuning the way in which you speak to your audience is a real expression of you as an artist. One Creative's Que sera sera is another's Whit's fur ye'll no go by ye and so, although the message may be the same, the language is very different and that is where the magic lies. Whilst there may be billions of love songs in the world, each artist painstakingly carves out their own distinct dialogue, setting them apart from all others. In a way, it's less about what you say and more critical how you say it. The Creative is always conscious that their voice comes across crystal clear within their work, that it won't be confused with that of another. They concoct their own language and in doing so give something of their self with every creation. As a nation,  we Scots unapologetically pride ourselves on the colloquialisms and quips that slip into our vernacular day in day out, because we know that when we're being the truest version of ourselves we are being heard loud and clear. So like us patter-merchants in Bonnie Scotland, artists across the globe endeavour to express their wit, wisdom and opinion in a way that will make folks sit up, haud their weesht and take note and to me, that's the brawest and bravest quality of them all. It's unique....it's yersel!